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Netflix says it invested over $23 million in Nigerian films

Netflix

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Video streaming company, Netflix, said it has invested over $23 million in producing Nigerian movies since 2016 when it entered the country.

This amount was invested in over 250 local licensed titles and co-produced and commissioned film content.

Netflix disclosed this in its latest ‘Socio-economic Impact’ focusing specifically on its major markets in Africa, which include Nigeria, South Africa, and Kenya. In the 3 countries, Netflix said it had invested a combined $175 million in content and the local creative ecosystems between 2016 and 2022.

Some of the Nigerian movies invested in, according to Netflix, include Anikulapo which became Netflix’s top-performing film in Nigeria within less than two weeks of its release. Other popular Nigerian Netflix productions include Blood Sisters, Far From Home, Shanty Town, and King of Boys.

Impacts of investments

Highlighting the economic impacts of the investments made in Nigerian movies, Netflix said:

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In addition to our upfront investment in productions and the ongoing training we provide throughout these, we have spearheaded various initiatives aimed at developing the industry in Nigeria. A few examples include Netflix Fund for Creative Equity in collaboration with the Nigerian Film Corporation, through which funding was provided to five universities and film schools in West Africa, covering full tuition and living costs for students.

Building on the milestones

Commenting on the impact report, Director of Public Policy, sub-Saharan Africa Netflix, Shola Sanni, said the company was excited about the next few years of its business in SSA and intends to build on the milestones to grow its business – even as it continues to invest to bolster local creative economies and give more and more African storytellers an amplified voice on the global stage.

Sanni added that enabling policy frameworks, flexible regulatory mandates, and ease of doing business are essential to sustaining the growth of the audio-visual sector and streaming services. She said the business of film requires being taken seriously, adding that the importance of getting right the policy, regulatory, and legislative infrastructures that support Film and TV, cannot be overemphasized.

 

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